The Smithsonian hosted a free museum day on Saturday. By going to their website, you could print out a free admission card to any participating museum. I took advantage of the offer and visited the Nasher Sculpture Center in the arts district of Dallas. I've never been one inclined to art but several pieces struck me.The first was Jonathan Borofsky's Walking to the Sky (2004). It's a fiberglass pole with figures of different age, gend
er, and ethnicity, walking toward the sky (with several onlooker's below). I thought it was incredibly creative but I also saw an immediate comparison to the tower of Babel. The artist intended for it to be an inspiring tribute to the power of human dreams, but we know that man's own efforts actually lead him the opposite direction. As with most of the art pieces, this was incredibly humanistic. I wonder at the lack of ingenious and creative art pointing away from man toward God. This was an incredible sculpture both in design and scope.
er, and ethnicity, walking toward the sky (with several onlooker's below). I thought it was incredibly creative but I also saw an immediate comparison to the tower of Babel. The artist intended for it to be an inspiring tribute to the power of human dreams, but we know that man's own efforts actually lead him the opposite direction. As with most of the art pieces, this was incredibly humanistic. I wonder at the lack of ingenious and creative art pointing away from man toward God. This was an incredible sculpture both in design and scope.
Magdalena Abakanowicz's The Bronze Crowd (1990-91) was especially moving. "As a child in Poland during World War II, Magdalena lived through the German and Soviet invasions, experiencing firsthand the horrors perpetrated by dehumanized masses under the sway of evil leadership. Frequently addressing the theme of
the crowd in her sculpture, she has said "A crowd is the most cruel because it begins to act like a brainless organism." From a distance, the thirty six over-life-size figures of Bronze Crowd look identical, but a closer view reveals their individuality." It was disconcerting to walk in the middle of the structures as they towered intimidatingly. Expressing that the individual will do atrocious things in a crowd, that they would not do otherwise, the headless army hit the message home with a shock to the senses. Here was a tribute to a different side of humanity, an expression of the fate of man in the midst of his own kind. In contrast, Borofsky's sculpture The Hammering Man is an expression of the fat
e of man in the midst of mechanized society. A towering structure (part of a larger series displayed around the world) it utilized a motor to move the arm in an endless hammering motion. In attempting to cast the working man as heroic it brought Marx to mind, one who attempted to cast the working man as heroic in economic policy but the result was actually a dehumanizing mass. Man in a purely mechanized society has no individuality (especially if Imago Dei is not acknowledged). Jonathan's philosophical beginning point for man ends in Magdalena's haunting sculpture (though I doubt he would agree. :-] The connections between the countless expressions of humanity in this museum were astounding.
e of man in the midst of mechanized society. A towering structure (part of a larger series displayed around the world) it utilized a motor to move the arm in an endless hammering motion. In attempting to cast the working man as heroic it brought Marx to mind, one who attempted to cast the working man as heroic in economic policy but the result was actually a dehumanizing mass. Man in a purely mechanized society has no individuality (especially if Imago Dei is not acknowledged). Jonathan's philosophical beginning point for man ends in Magdalena's haunting sculpture (though I doubt he would agree. :-] The connections between the countless expressions of humanity in this museum were astounding. The last piece of art that was intriguing to me was not about man. It was a frame of the sky. The real sky, the everchanging, "living"
sky. James Turrell's Tending, [Blue] is basically a box the size of a room, with a bench along the entire wall inside, and a perfect square cut out of the ceiling. Looking up you see the sky - no trees or buildings - the room is concrete with no color or features other than the bench. It is like stepping into a 3-d frame and it frames the sky. I really enjoyed that piece. We did take pictures while we were there, but I don't have them yet. Perhaps by tomorrow. :-] 

